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Sarita Salameh

Sarita Salameh

 

افتتحت لجنة مهرجانات بيبلوس الدولية بمشاركة مركز الاستقبال والاستعلام السياحي ومجموعة العمل المحلي - الطريق الروماني جبيل ، معرض "سوق الازهار والعصافير والمنتوجات المحلية التقليدية واللوحات الزيتية " ، في ساحة مدينة جبيل الاثرية ، في حضور القائمقام حبيب كيروز ، رئيس رابطة المختارين غطاس سليمان ، رئيس بلدية جبيل الدكتور جوزف الشامي ونائبه زخيا صليبا والاعضاء ، رئيسة لجنة المهرجانات لطيفة اللقيس ،المخاتير ومدراء المدارس وجمعيات اهلية ومدعوين .

وشارك في المعرض الذي يهدف الى تنشيط القطاعات السياحية والاقتصادية والاجتماعية 22 مؤسسة من اصحاب المشاتل والازهار ومجموعة العمل المحلي التي عرضت الاسماك المتحجرة والاعشاب الطبية والعسل والمرصبان وصناعة قش البلح ودبس الخرنوب ومنتوجات تجميلية من العسل . ويتخلل هذا النشاط زيارات منظمة لمنطقة جبيل القديمة ودورات للرسم وبرامج موسيقية وغنائية احتفاء بعيدي الام والربيع .

Reference Lebanonfiles.com

Front Desk

Front Desk

Saif 840, a classic Mansour Rahbani play, opened at Byblos Festival on August 8 at Byblos International Festival to relive Rahbani’s legacy in composing fascinating music and great theatrical stories such as Saif 840. Marwan Rahbani directed the historical story of people eager to live freely and with dignity against all odds.

It is co-composed and orchestrated by Elias, Marwan, Ghady and Oussama Rahbani and starring Ghassan Saliba, Antoine Kerbage and Hiba Tawaji. The play will go on until the 12th of August so make sure you watch this cultural and historic play. The opening witnessed a crowd of many including the Minister of Tourism Elie Marouni and other politicians, businessmen and celebrities.

 

http://starscene.dailystar.com.lb/featured/2009/08/saif-840-opens-at-byblos-festival/ 

Front Desk

Front Desk

After the successful launching of her latest album Arabology in April, Y.A.S introduced her new album at the Byblos International Festival. The idea of mixing modern rhythms with electronic music together with Arabic traditional sounds came up when Lebanese singer Yasmine Hamdan met Mirwais, known in France and in the United States for producing Madonna’s “Music”. Despite a short performance and basic staging, Y.A.S’s first concert in Lebanon proved her talent and potential.

When the CD came out, early days’ fans rejoiced at the news of this initiative which revolutionizes both Arabic and electro music. They waited until July 23rd for the singer who now lives in Paris to come present her new songs live on the stage of the Byblos International Festival. Arriving discreetly, the singer greeted her enthusiastic audience with a soft « kifkoun? » - How are you, in Arabic-, a taste of what was to come: a pop concert in Arabic. Too bad for those who don’t understand, they’ll just have to appreciate the multiple sonorities. Here lies Y.A.S’s genius; she manages to conquer an audience despite its diversity. This clever mix of genres carries the spectator to a whole new musical universe. 

Between sensuality and modernism 

Going from songs she describes as “romantic” and more upbeat tunes, she takes us to place where contradictions don’t exist. We also like what makes her smile, yes, we can be all together romantic, sensual and dedicated. We can express this sensuality with Arabic words without being constrained by a classical or commercial repertoire. Lyrics don’t have to clearly express the words in order to get the message across. 

If the singer’s performance was exactly what people were expecting, the organization and the staging unfortunately deceived some of the spectators. Waiting for the band to go on until 11:30 pm, the audience was supposed to enjoy an unforgettable show, but there were many missing ingredients like barely there lighting, no video projection or improvisation. Despite all that, the right atmosphere was there but the show ended way too quickly. It seems that the first to be surprised was the singer who let out a “Yii, raho” as she noticed the DJs had left the stage